For a tireless boom operator
If it’s possible to mount a shotgun mic on your camera rig, there is a few tradeoffs. First, if you keep getting close and backing out, the sound recorded will have different intensities that will need taking care off in post. Then you can have different sound characteristics depending on where you shoot, if there is walls nearby for the sound to bounce off, echoes, etc…
The best would be to have a dedicated boom operator, who will be able to capture the sound as close as possible from above, but for solo gigs or tight budget productions, this is often not possible.
An alternative is, if you have a c-stand at your disposal, to build a simple support to maintain the boom without getting in your way while you shoot. This is what this article will describe.
Continue reading « [En/Fr] Support DIY pour perche micro » →